Friday, June 5, 2015

Envoi - Letter to Rome

Dear Rome,

It seems like a memory now:
The 10 hour ride landing straight into your city; my feet hitting the pavement and running for 17 days straight non-stop.
Struggling with the language, but enjoying my stutters and the confused faces of the Italians when I asked for directions along the way.
The discomfort of feeling lost but the determination I felt trying to find my way. 
Taking pictures of my surroundings in hopes that when I look at the picture, it would feel as if I was looking at the place for the first time again.

It seems like a memory now:
The early morning grumpy faces
The aching feet
The dehydration
Being squished during transportation
The fear I felt for pick picketers 

It seems like a memory now:
The shock in my heart when I saw the Coliseum. Actually, that one isn’t a memory because I still feel the shock.

It seems like a memory now:
Walking through the ancient sights feeling like I was traveling back in time.
Caressing the walls and marble structures with my fingers hoping that it would make me a part of history.
Staring up at sky scraping structures wondering how in the world people so many centuries ago were able to build so tall.
Admiring beautiful art with beautiful friends
The sand between my toes and the view of the beach

It seems like a memory now:
The laughs surrounding the dinner table
The wine invading my blood stream making me smile uncontrollably,
The late nights dancing in Campo de Fiori
Making new friends and reviving old friendships as well
The bonding with fellow students and wonderful professors 

It seems like a memory now:
The food!
The fresh taste of tomatoes on my tongue
The painfully pleasurable feeling the freshly squeeze orange juice gave my tongue every morning
The fresh sent of herbs coming out of any given restaurant
The feeling of being so full to the point where I was going to explode but needing one more bite of that delicious pasta
The endless amounts of gelatos I ate.
The endless amount of Pizza I ate!

My first experience in Europe was amazing because I was able to experience it culturally and educationally. I also had the leisure of choosing what I wanted and did not want to do on my spare time, which allowed me to experience the city more than I thought I would. But mostly it was amazing because I was able to spend it in one of the places I’ve always wanted to visit. I learned and experienced so much from you Rome and in so little time. One thing I can take away from this experience is being able to pay more attention to detail. I learned to appreciate the litter things as well as the grand ones. I learned to manage my day and manage time; although I never got the being on time in the morning quite right. I learned to write down my ideas and express them coherently through your inspiration. I was inspired by your art and your liveliness. I was able to strengthen my Italian and my ability to learn and grow in a group. I learned to immerse myself in a culture and its all a wonderful memory now. One that in the future I hope to relive again.

Till next time,
Franchesca 


Capuchin Crypt

Giornale Quattro


I was recommended to go to the Capuchine crypt by two people. One being Steven and the other Jovany, who was a Rome kid four years ago. All I knew about this place was that there were bone exhibits. I didn’t do any research on it because I wanted to be surprised.  Getting to the crypt was fairly simple. I took the train to Barbarini and walked two minutes. I walked in and as I paid the cashier informed me that I could not take any pictures or I would be removed. I usually take those things lightly because no one has enforced those rules during my time in Rome so far. Before getting into the museum I walked into a room filled with bibles of different editions. It was cool to see the really old ones from a few centuries ago. I took out my phone to write notes and a women called upon me and told me to put my phone away. I wasn’t even allowed to take notes. I knew this was going to be my hardest solo excursion yet. My fingers get itchy when I see something really cool and I want to capture it. My memory also sucks so I immediately regretted not bringing my notebook. I handed in my ticket and walked into the museum. I was presented with pictures of different capuchin priest and their background information. I do not remember learning much about the capuchin people so I found myself reading all of the information available to me. They were Christians who devoted their life to helping those who are less fortunate. They lived a poor life and went to the places others would not dare enter to help and spread the word of god. They could be found in prisons, psychiatric hospitals, and dangerous spaces others are too afraid of entering. It was interesting learning about those who started off their lives rich and were introduced to the capuchin life and gave everything away to become a priest to help others. The museum also held different tools used by the capuchin priest. These included pottery used for medical purposes, everyday utensils, and they even had a collection of some of the watches priests own, which was pretty cool.
The art in the museum was not any that I was use to. There were some paintings of the capuchin priest themselves and one painting by Caravaggio that were very beautiful, but what captured my eye the most was the representation of Jesus. Usually sculptures and paintings of Jesus are smooth and made elegantly. Many of the paintings of Jesus were rugged. There was one picture of jesus on the cross drawn on a piece of paper where he is drenched in blood. You could not see his face, only the way his body is positioned and his head looking down. There was also a sculpture where the material was made to look very dirty, so it looked rugged and brown. I felt like if I touched it dust was going to come off. Here Jesus was on the cross and he looked extremely ashen and emaciated. These artists were not trying to cover up the story of Jesus here.

The most interesting part of the museum was the crypt. I could not wrap my mind around the fact that someone actually went into the cemetery of the capuchin and took their bones and created art. As I walked through the crypt I would get chills because I was in the presence of the actual bones of actual human beings presented in an artful way. I didn’t know if to be amazed by the art created with every bone you can think of in the body or if to be creeped out. With the bones the artist created alters, baskets, caskets with whole bodies laying in them or standing around them, and he even created artful decorations with the bones including flowers and wall designs. Even though I was creeped out I was super intrigued and I kept trying to figure out which bone was which. I was able to point out the patella, scapula, some fingers, and of course the skulls. This was a very unique experience and words can’t really explain the feeling one gets walking through that place. I just really wish I was able to take pictures.

Maria della Vittoria

Gironale tre

I headed to the train station with Glen and Steven to take the red line to Barberini. According to Google maps the church of Maria della Vittoria was located  a few blocks away from the Barberini train station. I am not the wittiest when it comes to maps and navigation, I usually let others lead because they seem to know where they are going. We looked at the map and started heading in the direction we thought would be the churches, but as we later learned we were walking the complete opposite way. We ended up walking 7 blocks the wrong direction. We learned we were walking towards the Trevi fountain. Instead of turning around though, we decided to visit the Trevi first. We knew it wasn’t working but I felt like I needed to get a glimpse before I left Rome. Plus, I heard there was a good gelato place by the Trevi, so if not for the Trevi, I had to do it for the gelato. We got to the Trevi fountain and it was completely wrapped up. I wasn’t able to see much of it but the good part was that I was able to walk over it. There was a line leading into the Trevi from up top. It allowed us to walk through and look down at the coins in the fountain and maneuver our head to see some parts of the fountain. Although I didn’t get to see the Trevi in all its glory I still felt cool because I get to say I walked over the Trevi. After we got off the line we headed for the gelato place. I knew the gelato place that was recommended to me was on the left side of the Trevi but there were two side by side. We went in to both to see which looked better and we settled on the one that had the most people. We figured if theirs a lot of people inside that means the gelato must be good. I was wrong. I was very disappointed in the gelato. It tasted like ice cream. I had coconut and fragola and both tasted like vanilla ice cream with a ting of fruit. I did not go to a gelateria for ice cream. I went in to get my super taste buds blown by the taste of pure fruit. As you can see, I was highly upset, and told myself I needed to get another gelato by the end of the day to un do this treachery. After this we headed back towards the train station. We decided to take a bus because we were cutting close with time.

We made it to the church with about 15 minutes to spate before it closed. I walked in and all I could say is “this church is tiny”. I mean I knew I was going to a small church but I did not expect it to be this small. I walked in and it was like I immediately hit the seats for the ceremony. There was not much space to walk around. There was one square line around the seats that you could follow to see the church. It actually made me feel like this was a true space of worship. It was intimate and not flashy or luxuries like other churches I was use to. There was even a priest in the corner in one of the praying spaces peacefully reading his bible. The only thing that ruined the intimacy of the space were the tourist, including me, around taking pictures.

Ostia Antica

Ostia Antica


As I walked through the long overwhelming road in Ostia Antica, all I could do was wonder how people could walk through this space so easily. I found myself looking down more than I did up because of fear of falling. As I continued down the road I realized more and more that I was walking through an actual city. It was interesting being able to see the space as it was and not built over with modern structures. All the ruins seemed like mazes. I imagined houses and shops stationed where the ruins stand now. I took the time out to go in and out of those places, touching the walls so that it can take me back in time. Walking back through the long road I noticed stairs that lead up to a look out and big structures such as the theater. These particular spaces made me imagine the space more like a city with different functions. Like the main city of Rome, I began to notice the difference between one side of the city that could have been held for entertainment while other sides that city could have been more for homes, and others for worship. As I tripped and stared at the road before me I then started getting more and more interested in how far the road could lead me. I stopped paying attention to the structures and ruins surrounding me and focused more on the seemingly never ending road in front of me. I followed the road until the fatigued I felt in my body beat my curiosity. I was eventually able to see where the city ended when we reached the synagogue as a class. Although the walk killed me it felt like an accomplishment to walk through most of a city in a day, compared to the way we’ve broken up our walk through the city of Rome.

Church of the Gesu

Gironale due

             As I was hanging out in the Campo de Fiori getting acquainted with my presentation sight I noticed it was almost four o’ clock. I decided this was the perfect time to do my solo excursion on a large church. I had to learn the hard way that churches in Italy re open at four when I tried to go to the church of Gesu and it was closed. Immediately after it started pouring rain and got soaked outside, so that was not a good experience. The church of Gesu is right by Campo de Fiori and it was a beautiful day out, so I decided to try my luck again. I got to the church of Gesu and was happy to find it open. I walked in and was amazed by the luxury of the church. The church seemed like it was entirely made of gold. I’m not sure if its actually gold or paint but I was still amazed. Everywhere I looked I saw bronze and gold. 
           What really captured my eyes in this church was the paintings and ceiling art. I had seen my share of art in churches by then, but the art in this church really tugged at my heart. The pictures were gruesome. I feel like a lot of the sculptures or pictures of the crucifixion of Jesus and the martyr of some of the saints are made to look beautiful. They erase the pain and how gruesome the situation actually was. It could be purposeful, or because of the specific preference of the artists but I enjoyed the paintings in the church because it was real. There was no cover up. In the depictions of the crucifixion of Jesus he had blood running down his face and body. His head was hung in defeat and you could see how emaciated he was. You could also see the pain in his face if you looked closely. In that moment I felt like those paintings evoked more emotion in me than any angelic crucifixion would. There was beauty in the realism and the church was field with these kinds of paintings. I left that church feeling amazed and having a new appreciation for art. It set the stage for what I liked and what I didn’t. I noticed that I don’t enjoy conventional things and that this really plays a part in my experience in the spaces that I visit.